Friday, April 11, 2008

Ch-Ch-Ch-Chiiiiiina!

Pong Dynasty:
In Table Tennis,
Chinese Rule

Top Players for Teams
Around the World
Are China Exports
By CHRISTOPHER RHOADS
April 11, 2008; Page A1

VANCOUVER, British Columbia -- The best American and Canadian table-tennis players squared off here last weekend for a chance to represent their country this summer at the Beijing Olympics.

In Vancouver, British Columbia, Eric Owens bids for a spot on the U.S. Olympic table tennis team. But he's the only U.S.-born male at the event. WSJ's Christopher Rhoads reports.

Only one of the eight American players was of non-Asian descent. All but three were born in China. Six of the eight Canadians also here vying for Olympic berths were either born in China or of Chinese descent.

China's superpower status in table tennis has created a prickly problem for the sport: Nearly all the world's most competitive players are Chinese. And that has made for a lot of mixed feelings.

"The Chinese make us train harder and raise our game," says Eric Owens, the only U.S.-born male at the Vancouver event. "But a lot of people are really sick of them coming over and taking their spots on the national team."

Since China has so many top players, many in recent years have changed citizenship in order to play for national teams elsewhere. Most countries -- like the U.S. where many think of ping pong as a game played in the basement on rainy days -- are glad to have players who will give them a chance in international competition. The downside: Teams full of Chinese players undermine already scant local fan support and, according to some, the development of home-grown talent.

At last month's world championships in Guangzhou, about 170 players representing countries other than China -- about one quarter of the participants -- were Chinese. Even Japan, once a ping-pong powerhouse and not known for warm relations with China, has Chinese players on its national team. America's best hope for an Olympic medal: Gao Jun, a 39-year-old player who won a silver medal at the 1992 Olympics for her native China.

"You go to a match between Poland and France, and it's just Chinese playing against each other," says Dan Seemiller, one of the highest-ranked American-born players in recent decades -- 19th in the world in 1975 -- and now coach of the U.S. men.

[chart]

In an effort to address the issue, the International Table Tennis Federation in February passed a rule requiring Chinese to wait before playing for a new country, for a period of time based on their age. Those between 18 and 20, for example, must reside in their adopted country for seven years before they can compete at certain international events. Those 21 and older can never become eligible.

The rule, which goes into effect in September, does not apply to the Olympics. But it could affect Olympic competition if fewer Chinese players decide to move abroad as a result.

"Something had to be done to develop youngsters and not just bring in people from China," says Rudi Sporrer, the chairman of the rules committee for the ITTF.

Mr. Sporrer acknowledges that his native Austria, where he heads the country's table-tennis association, is no exception to the trend. The national team features the 18th-ranked female player in the world, Liu Jia, who moved to Austria 12 years ago at the age of 13 because her mother thought she had no chance of making the Chinese national team. Austria has surged to the top 10 in world rankings, thanks to Ms. Liu and several other Chinese players.

Canada's table-tennis head, Tony Kiesenhofer, calls the rule counter to globalization -- and possibly illegal. "If you're afraid of taking on the second-tier Chinese players who move here, how in the world are you going to compete against the best Chinese players?" says Mr. Kiesenhofer.

His theory on why the game hasn't developed in North America: big houses. Homes in Canada and the U.S. are often large enough for a ping-pong table in the basement or garage, which means children here are exposed to table tennis informally. In Europe and Asia, home to the best players competing in lucrative professional leagues, generally smaller living spaces mean children must play at a sports club, where there are organized teams and training.

After some success in the 1960s, China's current domination began after the country reopened to the West in the early 1970s. The only significant break in China's run came from Sweden, led by legendary player Jan-Ove Waldner. For about six years starting in the late 1980s, Sweden won many world titles. Other individual players have punctured China's veneer of invincibility, but no country has approached China in churning out such a large number of top players.

Ms. Gao, representing the U.S. at the Olympics this summer, rose to No. 3 in the world as part of the Chinese national team. She stopped playing in 1994 when she moved to the U.S. but then picked it up again a few years ago after a divorce. With no competition near her Maryland home, she moved back to China to train.

"A Chinese player will beat an American player 11-0," says Ms. Gao. "Or the U.S. can use a Chinese player and maybe have a close match -- which way do you want it?"

For the 32-year-old Mr. Owens, the only U.S.-born male at the trials here, the Chinese influx was bad timing. Growing up in Houston, he became so obsessed with hitting a ping-pong ball that he skipped school to compete in tournaments, eventually dropping out after the eighth grade.

He captured repeated national age-group titles through his teenage years. A favorite to qualify for the U.S. team for the Sydney Olympics in 2000, Mr. Owens lost out to several Chinese players who had since moved to the U.S.

[Yong-Xiang Zhuang]

He eventually went to college, at 26, and now attends medical school in Chicago. In the matches Sunday for the final spot on the Olympic team, Mr. Owens won his first game against the 44-year-old Zhuang Yong-Xiang, who represented the U.S. at two Olympics after moving to New Jersey from China in 1990. Mr. Zhuang eked out the second. (Matches consist of the first to win four games, with each game to 11 points. A game must be won by a margin of at least two points.) The Canadians and Americans here were playing for a total of six Olympic spots, for three men and three women.

The seesaw battle of opposing styles -- Mr. Owens is considered a "looper" for his top-spin shots, while Mr. Zhuang is more of a "blocker" with his traditional Chinese pen-hold grip -- continued until each won three games, forcing a decisive seventh. At match point, with Mr. Zhuang leading 11-10, Mr. Owens slammed the ball to Mr. Zhuang's backhand side. Mr. Zhuang blocked the shot back down the line. Mr. Owens scrambled to his right but couldn't reach the ball, eliminating him from competition.

Later that night, Mr. Zhuang won again to qualify for the U.S. Olympic team. "I know how hard Eric wants to reach his Olympic dream," says Mr. Zhuang, who has competed with Mr. Owens as a doubles partner. "But that is sport."

Write to Christopher Rhoads at christopher.rhoads@wsj.com

Interview with Produce Adi Ezroni

adi ezroni1

It would be incredibly hard to not be humbled and inspired after a conversation with Adi Ezroni. From quite a commendable acting career, to literally risking her life to produce films that reveal some of the worst atrocities of humanity such as child sex-trafficking, (her film “Holly” opens at the Quad on April 25th), this Israeli beauty brings a certain kind of passion to the world that is simply infectious. In her latest project HomeBase, Adi, along with several other artists of all different mediums and nationalities, invite us to join them in exploring just what “home” means. Harlem is where the “home” of this cross-cultural dialogue will be this Spring, (Opening day April 27th), but it’s clear that Adi’s journey is far from over….we feel grateful that she has called our city “home” for the time being, and we can’t wait to see what else she’s got up her sleeves.

Where did you grow up and what was your childhood like? How did you get started in acting?
I was born in Israel in a suburb of Tel Aviv, on the beach. When I was 6 years old, my family moved to New York for 5 years and I came back to NY about 5 years ago. Growing up in Manhattan and Israel was great, and it embedded this duality in me - I really got the best of both worlds – the curiosity and diversity of NY, and the fields, beach,and the connection to Israel.

When I was in sixth grade, I went into a video store and chatted with the owner about a film I just saw ( I think it was “parenthood”…) he asked me if I’d like to act in an off Broadway play he was directing, and that’s how I got into acting, I guess…I played Shakespeare’s daughter in a play called “the players” and it ran for about two months. When I got back to Israel I did a couple of shows for the educational channel, but my parents were very focused on keeping me on ground – I was a head counselor in the scouts, went on field trips all over the country, there was no mention of acting or modeling. Then, right before I went to the army (in Israel, it is mandatory for everyone, and I served for two years as medic instructor), an agent contacted me sent me on a couple auditions and I got a couple of big campaigns, and parts on TV. I was super patriotic, and wanted to complete my service, so it was two years later, that I got into the leading children channel in Israel, as a host and actress. I was a well known host for about 4 years, doing interviews, skits, game shows, family moves, commercials, etc. and then I decided its time to move to NY  Today, I am able to live in NY and go back and forth to Israel and act. My latest TV drama in Israel, which I am the lead in, “When Shall we Kiss” is airing now.

In NY, I focus more on producing and in Israel on acting. I guess that producing allows me to feel more in control, and I act in some of the films I produce.

You are working with so many amazing organizations that are helping to bring people together all over the world on such important issues humanity is struggling with. As a producer, one of your latest ventures is “Holly” a feature length narrative film with Ron Livingston, (”Sex and the City’s” ‘Berger’) Chris Penn (Sean Penn’s brother in his last film, he passed away a year and a half ago) and others, deals with the child sex trade and is now in the theaters in the US. What made you so passionate about this project in the first place?
I met my producing partner, Guy Jacobson, when I just arrived in NY. He was an investment banker, that had just gotten back from Cambodia where he found himself in the middle of the day, surrounded by a group of 6-8 yr old girls soliciting him for prostitution. When he told me he wanted to write a feature film about a 12 yr old Vietnamese girl who was sold to prostitution and an American man, I thought it was amazing. I told him that I would be the water girl…little did I know that I would become the head producer and the adventures that I would go through, or the many years of my life that would become committed to this project.

During the filming of the movie you were held hostage for two weeks in Cambodia. What was that experience like? How has it helped form you into who you are today?
Yes, that was crazy. The minute we landed in Cambodia, we were told we are in danger. We were trying to expose an explosive subject matter in a third world country, and the local mafias were not so happy about it. We ended up hiring 40 body guards with ak47s (that’s a gun), we had to hide some of our film, bribes, everything you can imagine. When at last, the whole production had left, I stayed to take care of the final thing, and when I got to the airport I was stopped, and told that I could not leave the country. I had a bag full of film, and could not read what the warrant said, nor why this was happening, or who I should contact. I switched hostels, and stayed under a fake name for five days, meeting with a couple of local friends in dark bars to figure out how I can leave. A local attorney helped us transfer the funds needed…or so he says and I was let go 2 weeks later.

How has it affected me? I feel like I’m 45…I feel like I’ve seen the dark side of humanity, one that I had no concept of, growing up. But I am glad to say that it has not shattered my faith in the good in people…and, I think I trust my ability more.

Don’t you ever feel that you are up against a giant mammoth (the selling of children, sex trade industry, etc)? What can people do to help, and how do you remain positive about the future?
As for the issue itself – its huge. Child trafficking and sexual exploitation affects 2 million children each year. I think the thing I can do is raise awareness and promote action through law enforcement and governmental pressure. If you go on priorityfilms.com you can read more.

Tell us a little bit more about your production company Priority Films
We are three partners – Guy Jacbobson, Mandy Tagger (former head of production at IndiGent) and myself, with an incredible team of people. We are growing this year as a company, and hope to become a studio for micro films – 1-5M dollars - so that we can provide an alternative for the bigger distributors by creating innovative strategies for smaller films.

adi

What are the pros and cons of living in New York? Of living in Israel?
Big question. I guess, I am, like many others in NY, dealing with the duality of being an immigrant (even if you’re American, you’ve kind of immigrated to NY). NY is a place for individual growth, for “doing”. Its crazy how much energy needs to be extended in order to create a community, or a routine with friends, its lie theres a big wheel that’s turning, and you really need to stop it for a second in order to create a home routine, to meet up with friends, to do nothing… Israel is super communal, family is very strong, its so small – you see everyone all the time, people go to their parents for Friday night dinners EVERY WEEK, so its also a place that keeps you in check in a way – you cant “just disappear” for a while. I feel like Israel, as a land, is like my lover. Every place I go to feels familiar, I feel like I belong to it and it belongs to me… so I guess I have two homes…

All this focus on home, an idea that so many New Yorkers struggle to define…you are currently a co producer of The HomeBase Project, an annual international site specific art project that explores the notions of “home”. This years project is in an old brownstone off the ‘A’ train in historic Harlem. Can you tell us more about this, why you were anxious to become involved and what you hope comes out of it?
The project’s founder, Anat Litwin, is the former director of the Makor Gallery, and is just magnetic. This is an incredible project – we all deal with what is home in some way or another. And especially after working on social justice issues. It is the essence of our definition of ourselves, and it is such a fertile ground for artistic exploration. So to bring international artists that create a true cross cultural dialogue about it, is amazing. I love art, and I am very curious to see what will happen this year – so many different mediums – from fabric installations to video and sound installations… And what better place to do it then in the historical area of Harlem, across from one of the oldest jazz pubs in the city.

The project is broken up to 2 – the first phase, the artists meet twice each week to talk about home and hear lectures and create their site specific installations. Then, on April 27th, we open HomeBase for the public to interact, come to guided tours, and hear lectures, and consider what home means to them…

What does home mean to you?
I am dealing a lot with this question now because my apt in ny is temporary, and my childhood home, in Israel is home, but also not really, anymore…so now I’ll need to create my own. Good question – Yesterday, in our first artist meeting I wrote this: my parent’s kitchen; the smell of jasmine in the summer; falling asleep with my boyfriend.

What is a typical day like for you?
There is no “typical” for me. For instance yesterday I started my day meeting the musicians who are doing music for a film that’s in the edit room, emailing about the upcoming release of Holly, continued to a meeting with Anat, the founder of HomeBase to finalize things, then a screenplay conference call on an upcoming film, and in the evening, I started creating my art project for HomeBase…

In the many amazing projects you have helped produce, you have no doubt met some extraordinary people along the way….who have some of your role models been?
Hmmm…I guess different entrepreneurs that I meet – that are creative in making things happen, artists that confront the vulnerability of presenting their art with devotion and passion.

The best part about my job is…..the creative juices, new ideas, traveling all over the world.

Where is your favorite place in the world?
The lake of Galilee in Israel

You are one of the most passionate people I have ever met. Where do you find your inspiration?
Wow! thanks. I am energized by people like YOU. Truly. I find inspiration in many little things, and the idea of the potential for things to happen is invigorating. That’s not to say that I don’t have moments where I just want to do nothing and stay under the covers…

What’s next for you after HomeBase, after Holly screenings? Do you have other projects in mind or are you taking things one day at a time?
My next project is “Rachel” but that’s for next time…

Favorite thing to do in New York on a Sunday afternoon?
Sounds geeky – the Rubin museum is the most serene place in NY – its like stepping out of the city to a different energy zone.

I hope that during my time here on earth I ……….. experience and love

Wednesday, April 9, 2008

The Lord's Prayer

This Might hurt your ears, but its worth it because it's so cute!